I · THE OBJECT · BRITISH MUSEUM
Strolling Actresses Dressing in a Barn
▶ Listen · narrated
Engravings serve as reproductions of paintings, but they also play a crucial role in preserving those that have been lost to time.
At a glance
- Creator
- William Hogarth
- Date
- 1738
- Material
- engraving; line engraving; etching; India ink
Look closer
Three techniques
The print is a remarkable example of how Hogarth employed multiple techniques. There are three distinct fabrication methods used in the making of this print: engraving, line engraving and etching, all executed using India ink. This combination allows for a rich variety of textures and tonalities that bring depth to the scene. It also gives Hogarth more control over different aspects of the image.
Different heights
It can be difficult to notice but the prints vary in height by around 5 centimetres (2 in), one print is at least a centimetre narrower as well. The size variations are an indication that there may have been differences in how each of these prints was cut and prepared.
Different collections
The five prints can now be found in different museum collections across the world. This includes institutions like the British Museum, the Metropolitan Museum of Art, the Wellcome Collection, Yale Center for British Art and Cleveland Museum of Art. The dispersion means that these prints are part of a global collection.
The story
Strolling Actresses Dressing in a Barn is an engraving. It started life as part of a set of prints created by William Hogarth in 1738. The print captures a moment in an actress's dressing routine, depicting the performers’ everyday life before a show.
It was originally issued along with another four prints titled Four Times of the Day, making a five-print series. These prints were likely used as a set and sold together. Hogarth’s engravings and etchings are notable for their detailed depictions of social scenes, often infused with his characteristic wit and commentary on contemporary life.
Strolling Actresses Dressing in a Barn is an intriguing example of how prints can serve multiple purposes. As a reproduction, it allows viewers to engage with a lost original painting, offering insights into Hogarth's artistic process and the social context of early 18th-century theatre life.
Why it mattered then
In its own time, Strolling Actresses Dressing in a Barn offered viewers a glimpse into the daily lives of actresses. Hogarth's depictions were not only entertaining but also carried social commentary. They provided a window into the world of theatre and the everyday routines of performers, which would have been unfamiliar to many of his contemporaries.
Why it matters now
Today, Strolling Actresses Dressing in a Barn holds significance as a historical document. It preserves the image of a painting that no longer exists, providing valuable insights into Hogarth's work and the theatre culture of the 18th century. Additionally, it showcases Hogarth’s technical skill in engraving and etching, highlighting his ability to capture intricate details and convey complex narratives through his prints.
The surprising detail
The print is part of a larger series that includes Four Times of the Day. The different museums holding this set means that anyone wanting to see all five prints has to visit multiple institutions across several countries
What is disputed
The exact circumstances surrounding the loss of the original painting are not clearly documented and provenance of Strolling Actresses Dressing in a Barn print is also uncertain.
Remember this
Prints can preserve lost paintings and offer insights into artistic techniques and social history.
Test yourself
How does Strolling Actresses Dressing in a Barn relate to the Four Times of the Day series?
Strolling Actresses Dressing in a Barn was issued along with Four Times of the Day, forming a five-print set. The series provides a narrative progression through Hogarth's depictions of daily life
Go deeper
- Strolling Actresses Dressing in a Barn · Wikipedia
- Strolling Actresses Dressing in a Barn — Wikidata · Wikidata
Image: William Hogarth, Public domain. Licence: Public domain. Source.
