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The Daily Triptych061 / 365

2 MAR 2026

Day 61

History is a nightmare from which I am trying to awake.

James Joyce · Ulysses
An array of small brass goldweights in varied forms: geometric shapes, human figures, animals, tools, and stylised objects, each no larger than a few centimetres, displayed alongside gold rings and ornamental discs.

I · THE OBJECT · BRITISH MUSEUM

Asante Goldwork

Asante Empire · 17th–19th century · Gold, brass

Gold discs, rings, ornaments and hundreds of tiny brass weights shaped like seeds, tools and proverbs — the working instruments of an empire built on trade.

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II · THE IDEA · ARTIFICIAL INTELLIGENCE

Fine-Tune, Prompt, or Retrieve

Training and alignment · Knowledge integration · Zero to tens of thousands of dollars

Most people fine-tune when they should prompt, and prompt when they should retrieve. Each method has different costs, different latencies, and different failure modes that matter more than the marketing suggests.

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A pale limestone mountain ridge rising against a blue sky, with green and ochre fields and dark pines in the foreground, all rendered in distinct patches of colour without blended edges.

III · THE WORK · ART HISTORY

Cézanne's Mont Sainte-Victoire

Paul Cézanne · 1882–1906 · Oil on canvas

Cézanne returned to the same limestone ridge year after year, breaking it down into planes that describe volume without drawing a single edge. The hinge between Impressionism and Cubism.

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